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Here Comes the Sun is an album by jazz singer-pianist Nina Simone, consisting of cover versions of songs by pop and rock musicians. It features songs recorded in the RCA studios with a full orchestra and backing vocals.

Composition[ edit ] The early months of were a difficult period for Harrison: Composition[ edit ] The early months of were a difficult period for Harrison: To survive, she began teaching music to local students. During this time with the label, Nina recorded one civil rights song, Oscar Brown Jr.

At the age of twenty-four, Nina came to the attention of the record industry.

The song opened with a dazzling keyboard arpeggio that would become her signature for decades. She was the consummate musical storyteller, a griot as she would come to learn, who used her remarkable talent to create a legacy of liberation, empowerment, passion, and love through a magnificent body of works.

The boisterous Nathan had insisted on choosing songs for her debut set, but eventually relented and allowed Nina to delve in the repertoire she had been performing at clubs up and down the eastern seaboard.

Sensing that her live performances would capture the essential spontaneity of her artistry, Colpix opted to record her September 12, show.

Nina Simone

The song opened with a dazzling keyboard arpeggio that would become her signature for decades. During this time with the label, Nina recorded one civil rights song, Oscar Brown Jr.

It was difficult for them because I was playing popular songs in a classical style with a classical piano technique influenced by cocktail jazz.

So, saying what sort of music I played gave the critics problems because there was something from everything in there, but it also meant I was appreciated across the board — by jazz, folk, pop and blues fans as well as admirers of classical music.

Here Comes the Sun (disambiguation)

Once she moved to Phillips, a division of Dutch owned Mercury Records, she was ready to expand her following globally. Such risks were seldom taken by artists during that time of such dramatic civil upheaval.

For years, Nina felt there was much about the way that she made her living that was less then appealing. One gets a sense of that in the following passage from I Put A Spell on You where she explains her initial reluctance to perform material that was tied to the Civil Rights Movement.

Nina Simone - Here Comes The Sun

How can you take the memory of a man like [Civil Rights activist] Medgar Evers and reduce all that he was to three and a half minutes and a simple tune? Inshe had befriended noted playwright Lorraine Hansberry and spoke often with her about the Civil Rights Movement.

Nina Simone Here Comes The Sun Full Album

There were many sides to Nina Simone. By this time, Nina had become central to a circle of African American playwrights, poets, and writers all centered in Harlem along with the previously mentioned Lorraine Hansberry, James Baldwin and Langston Hughes.

The title of the song coming from a play Hansberry had been working on just prior to her death.

This allowed several songs recorded by the Beatles to list on the charts when the group's back catalogue became available for download on iTunes in , including "Here Comes the Sun", which peaked at number 58 on 27 November that year. Word spread about this new singer and pianist who was dipping into the songbooks of Gershwin, Cole Porter, Richard Rodgers, and the like, transforming popular tunes of the day into a unique synthesis of jazz, blues, and classical music.

This would be her first new studio album in six years and she recorded it in Belgium with strings and background vocals cut in New York City. After much wining and dining, Nina finally signed on the dotted line.

Jun 08,  · Here Comes The Sun; Artist Nina Simone; Album Nina Simone - Nina; Writers George Harrison; Licensed to YouTube by SME (on behalf of Westmill); UMPI, PEDL, União Brasileira de Compositores, Sony.

To the end, she herself would claim that racism was the reason she did not attend. While her original dream was unfulfilled, Eunice ended up with an incredible worldwide career as Nina Simone — almost by default.

To survive, she began teaching music to local students. Word spread about this new singer and pianist who was dipping into the songbooks of Gershwin, Cole Porter, Richard Rodgers, and the like, transforming popular tunes of the day into a unique synthesis of jazz, blues, and classical music.

Here Comes the Sun (disambiguation)

Her rich, deep velvet vocal tones, combined with her mastery of the keyboard, soon attracted club goers up and down the East Coast.

At the age of twenty-four, Nina came to the attention of the record industry.

Track Listings

The boisterous Nathan had insisted on choosing songs for her debut set, but eventually relented and allowed Nina to delve in the repertoire she had been performing at clubs up and down the eastern seaboard.

Sensing that her live performances would capture the essential spontaneity of her artistry, Colpix opted to record her September 12, show. The song opened with a dazzling keyboard arpeggio that would become her signature for decades.

During this time with the label, Nina recorded one civil rights song, Oscar Brown Jr.

Nina Simone- Here comes the sun

It was difficult for them because I was playing popular songs in a classical style with a classical piano technique influenced by cocktail jazz. So, saying what sort of music I played gave the critics problems because there was something from everything in there, but it also meant I was appreciated across the board — by jazz, folk, pop and blues fans as well as admirers of classical music.

Once she moved to Phillips, a division of Dutch owned Mercury Records, she was ready to expand her following globally.

Nina Simone Lyrics

Such risks were seldom taken by artists during that time of such dramatic civil upheaval. For years, Nina felt there was much about the way that she made her living that was less then appealing. One gets a sense of that in the following passage from I Put A Spell on You where she explains her initial reluctance to perform material that was tied to the Civil Rights Movement.

She rarely traveled without an entourage, but if you were fortunate enough to get to know the woman behind the music you could glimpse the solitary soul that understood the pain of being misunderstood. At the age of twenty-four, Nina came to the attention of the record industry. By this time, Nina had become central to a circle of African American playwrights, poets, and writers all centered in Harlem along with the previously mentioned Lorraine Hansberry, James Baldwin and Langston Hughes.

How can you take the memory of a man like [Civil Rights activist] Medgar Evers and reduce all that he was to three and a half minutes and a simple tune? Inshe had befriended noted playwright Lorraine Hansberry and spoke often with her about the Civil Rights Movement.

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